.

NOT IN MY NAME
A PROTEST PLAY AGAINST THE DEATH PENALTY

A PROTEST PLAY AGAINST THE DEATH PENALTY

The Living Theatre

1994–2005

For information about this play call: 212 969-8905

Not In My Name – Page 1

Scenes

Scene 1: The Vigil 2

Scene 2: The Class Song 3

Scene 3: The Chase 4

Scene 4: In the Name of the People 5

Scene 5: Two Wrongs 7

Scene 6: The Conflict of Ideas 8

Scene 7: The Cycle of Vengeance 9

Scene 8: The Breath of Fear 10

Scene 9: Cain and Abel 11

Scene 10: Piasto–The Carnival Dance of Death 12

Scene 11: Turning the Furies 13

Scene 12: Breaking the Cycle 14

Scene 13: We Ask You to Join Us 16

Scene 14: The Stay Song 18

Casting Notes

The play requires a minimum of 7 actors, 4 of whose roles can be divided, allowing

up to 11 distinct voices. Additional actors speak the choral lines only.

VOICE 1 Herald

VOICE 2 a,b Voice(s) of Protest

VOICE 3 Voice of Authority

VOICE 4 a,b Voice(s) of Protest

VOICE 5 a,b Voice(s) of Protest

VOICE 6 a,b Executioner(s)

VOICE 7 Condemned

SONG LEADER Actor designated to set the pitch

• a,b indicates that the role may be divided between two actors as specified

• In the event two actors are not available one actor speaks both a and b

parts

• If two actors share a role, and a or b is not specified, both actors speak in

unison

Not In My Name – Page 2

Scene 1: THE VIGIL

ALL arrive at the performance site.

A box is placed in the center of the playing area.

SUPPORTERS erect banners to form a backdrop for the playing area. Bags and

coats are grouped underneath banners for safekeeping.

ALL actors move slowly around the edge of the playing area in a solemn

procession.

Two or more SUPPORTERS and ACTORS move out to sidewalks and street

corners within sight of the playing area. They distribute leaflets and verbally inform

passers by of the performance and the scheduled execution.

At an agreed time ALL actors leafleting return to the playing area to join those in

the vigil action.

When all have returned, VOICE 1 starts the chant. On the second phrase of the

chant, ALL join the chant, break from the vigil and move to stand in opening

positions.

At the end of the second round of the chant SONG LEADER begins the “Class

Song”

Not In My Name – Page 3

Scene 2: THE CLASS SONG

SONG LEADER While there is

A lower class

ALL I am in it. (moving down to 1st position)

The prisoners on death row (frozen in position)

Are the poor.

While there is (moving up to 2nd position)

A criminal element

I am of it. (frozen in position)

When the government metes out (moving down

Vengeance it devalues human life. to 3rd position)

While there is (frozen in position)

A soul in prison

I am not free. (clench fists, reaching up to 4th position)

Break the cycle (open hands, frozen in position)

Of vengeance.

While there is (bringing hands down to 5th position)

A prisoner on death row

Life itself is at stake. (frozen in position)

ALL remain frozen in position.

Not In My Name – Page 4

Scene 3: THE CHASE

VOICE 1 starts the chant.

and

VOICE 7, portraying the CONDEMNED, breaks into flight.

On the second phrase of the chant ALL join in

and

VOICES 6a and 6b, portraying EXECUTIONERS, break into pursuit of

CONDEMNED.

On successive repetitions of the chant ALL move through the five positions of grief,

moving during the first phrase and freezing for the second phrase.

The CONDEMNED chased by the EXECUTIONERS move in slow motion, winding

a path among the ensemble.

In front of the central box, the EXECUTIONERS apprehend the CONDEMNED and

lift him onto the box. They perform an execution etude, a series of repeated

actions, which continues through the following scene.

Not In My Name – Page 5

Scene 4: IN THE NAME OF THE PEOPLE

ALL continue chant at a reduced sound level.

VOICE 1 (standing upright and facing forward)

There is a man named (condemned person).

Tonight he is alive.

Tonight he will die.

VOICE 2a (standing upright and facing forward)

We are here

To witness

The intention

Of the State of (state of execution)

To kill (condemned person).

VOICE 3 (standing upright and facing forward)

In the name

Of the people

Of the State of (state of execution)

ALL stop chanting

(one after the other standing upright and facing forward)

VOICE 5 Not in my name!

VOICE 2 Not in my name!

VOICE 4 Not in my name!

VOICE 1 (Condemned person) was accused.

(Condemned person) stood trial.

(Condemned person) is condemned to die.

ALL start a mournful drone.

All VOICES OF PROTEST turn towards CONDEMNED and on their line turn out to

audience and then turn back.

VOICE 2b His mother said:

VOICE 4a He was a good boy.

VOICE 1 The State says:

VOICE 3 An eye for an eye.

VOICE 2a We say:

VOICES 2,4,5 Not in my name.

Not In My Name – Page 6

VOICE 1 The chaplain said:

VOICE 3 God will forgive him.

VOICE 2b The Sixth Commandment says:

VOICE 5 Thou shalt not kill.

VOICE 1 The Governor says:

VOICE 3 In the name of the people I invoke the death penalty.

VOICE 2a We say:

VOICES 2,4,5 Not in my name!

VOICE 2b His sister said:

VOICE 4a I stand by him.

VOICE 1 The prosecutor said:

VOICE 3 He stands convicted of (crimes).

VOICE 1 The Judge says:

VOICE 3 Lethal injection

VOICE 2a We say:

VOICES 2,4,5 (dropping postures of grief)

Not in my name!

ALL resume chanting at a low sound level.

VOICE 4b (Condemned person) is alive tonight

On the Death Row of (prison)

In (state).

VOICE 2a We are here

To witness

The intention

Of the State of (name of state)

To kill (condemned person).

ALL stop chanting.

VOICES 5,4 STOP THE KILLING!

Not In My Name – Page 7

Scene 5: TWO WRONGS

All VOICES OF PROTEST move outwards and then turn back towards the

CONDEMNED in long, reaching strides timed to the rhythm of the text. When they

reach the EXECUTIONERS they form a tableau halting the execution and

protecting the CONDEMNED.

VOICES 2,4,5 Two wrongs / Don't make a right!

Two wrongs / Don't make a right!

Two wrongs / Don't make a right!

Two wrongs / Don't make a right!

Two wrongs /

ALL abruptly drop their static poses and turn outwards to question the audience’s

response.

ALL (ACTORS take two steps toward the audience and stop)

Two wrongs / . . . . . . .

(ACTORS take two steps toward the audience and stop)

Two wrongs / . . . . . . .

(ACTORS take two steps toward the audience and stop)

Two wrongs / . . . . . . .

ACTORS step into the audience.

Not In My Name – Page 8

Scene 6: THE CONFLICT OF IDEAS

A silent beat.

A series of questions arise from the ACTORS, articulating the ambivalence,

doubts, fears and confusion arising in the audience. Each ACTOR has prepared a

question.

The first ACTOR enters the playing area with stylized movement, speaks her

question and freezes in a specified place. The movement and frozen position

express the conflict, imbalance and confusion of the question.

The next ACTOR, the partner of the first, enters the playing area with stylized

movement, speaking his question and joining his partner in strong, close physical

juxtaposition – also expressing the conflict, imbalance and confusion of the

question and freezes.

The next ACTOR enters the playing area with stylized movement, speaks her

question, freezes, is followed by her partner doing the same and they freeze in

strong, close physical juxtaposition.

The next pair enters and so on until all ACTORS have entered the playing area and

are in frozen positions.

The cycle of questions starts over and all ACTORS slowly start a physical

interaction with their partner and then others. The questions are repeated more and

more rapidly and the corresponding movements depict increasing confusion.

After a number of cycles (usually three), words and bodies overlap into chaos. The

questions deconstruct into fragments and the actors are drawn into a vortex at the

center of the playing area. The movement and words reach a peak of turmoil.

Not In My Name – Page 9

Scene 7: THE CYCLE OF VENGEANCE

VOICE 1 Endless is the cycle

of vengeance.

Endless is the cycle

of vengeance.

ALL ACTORS spin out from the group towards positions for the “Slash Circle.”

Every other ACTOR in the circle stands in a “Hubris” position.

ACTORS between them lie fallen on the ground in the “Killed” position.

VOICE 1 Endless is the cycle of vengeance.

No end to the causing of pain

Where pain has been caused.

Retribution follows retribution

Revenge upon revenge.

The standing ACTOR in the “Hubris” position triumphantly surveys the area under

her.

The “Killed” ACTOR looks up from the ground slowly. He sees the person in front of

him, is overcome by vengeance, slowly rises and reaches up to strike her.

The ACTOR in front, sensing danger, turns to see the ACTOR behind her about to

strike, is filled with fear, as he slashes downwards and kills her (on the word

“follows”).

She falls to the ground.

The ACTOR who killed her steps forward in triumph and claims the position (on the

word “cycle”) and then surveys the area under him.

The cycle repeats. The text and action starts slowly and speeds up through five

repetitions.

At the end of the fifth cycle all ACTORS freeze.

Not In My Name – Page 10

Scene 8: THE BREATH OF FEAR

ACTORS perform breath of fear action.

On a long, slow, wheezing inhale the actor moves backwards, recoiling in terror

from an audience person. This terror transforms to rabid rage and on a long

hissing exhale the actor moves forward, reaching towards the audience person as

if to destroy them. This inhale/exhale cycle repeats with different audience persons

through the scene.

VOICE 4b We are here today

To break the cycle

Of vengeance

Which is very ancient

And deeply rooted

From the raging

Of the primordial furies

To every moment

When the

Taking of life

Is enacted

VOICE 2b All who are caught

In the cycle of violence

And the cycle of vengeance

Merit our compassion.

Not In My Name – Page 11

Scene 9: CAIN AND ABEL

ACTORS pair off - one as CAIN and one as ABEL.

CAINS and ABELS face each other (on “brother’)

VOICE 4a Even Cain, who killed his brother,

Was given a mark of protection

By God.

VOICE 6a Out of competition

(CAINS kill ABELS)

Came the first murder.

(ABELS kill CAINS)

Brother killed brother.

BOTH kill each other and fall to the ground

VOICE 7 But God put a mark of protection

On the forehead of Cain.

The fallen CAINS and ABELS sit up and face each other.

ALL CAINS Two wrongs

(placing their hands on ABELS’ foreheads)

ALL ABELS Don't make a right.

(placing their hands on CAINS’ foreheads)

VOICES 4,5 And yet the scream for vengeance rose.

ALL rise into the jagged poses of the furies and hold frozen until the dance.

ALL RETRIBUTION!! RETRIBUTION!!

VOICE 7 Thus the furies raged

At murder unrevenged.

Not In My Name – Page 12

Scene 10: PIASTO–THE CARNIVAL DANCE OF DEATH

ALL dance the CARNIVAL DANCE OF DEATH while singing:

ALL Piasto, Piasto, Piasto

Ecce To nou sou

(from Aeschylus' The Eumenides:

Catch him! Catch him! Catch him!

There he is!)

Not In My Name – Page 13

Scene 11: TURNING THE FURIES

VOICE 4 Till wisdom restrained them

And turned the furies

The FURIES are transformed into the EUMENIDES. Two Actors as the forces of

wisdom take a third Actor and rotate around.

VOICE 2 Which are the rage

In each of us

FURIES (scream)

ALL transforming into the court of law,

raising arms to form a gothic arch.

ALL Into the court of law.

ALL The law is often unjust

(cutting action)

Mercy is always just

(open arms, compassion gesture)

Though justice is not always merciful.

(menacing gesture)

ALL begin crushing action.

ALL Tonight

Legal justice

Will kill (condemned person).

(final killing gesture)

VOICE 4 The death penalty

Is the furies' last stand.

ALL rising into the jagged poses of the furies

ALL (scream abruptly cut short)

Not In My Name – Page 14

Scene 12: BREAKING THE CYCLE

The EXECUTIONERS and CONDEMNED resume the chase in the playing area

Simultaneously the other ACTORS slowly and individually realize what they have

become as they release their poses, and look out into the audience dropping all

stylization.

ALL (personally to the audience)

How can we break

Such an ancient

Cycle of vengeance?

One by one, ALL walk to a member of the audience during, before or after the line.

ALL (personally and not in unison)

I will begin with myself.

When all other ACTORS have spoken

VOICE 3 (more loudly)

I will begin with myself.

ALL (after one beat, in unison and

personally to chosen audience member)

I will begin with you.

ALL make physical contact with audience member.

(chorally)

We are breaking the cycle.

(personally to chosen audience member)

I give you my word that I will never kill you.

Will you promise me the same?

ALL have brief exchange with audience member.

Not In My Name – Page 15

The EXECUTIONERS apprehend the CONDEMNED and proceed to lift him onto

the central box during the following vows.

VOICE 1 We reverse the cycle of vengeance.

ALL (in unison) (chorally to audience grouping)

I will never be an executioner

(personally to chosen audience member)

Because I have vowed not to kill you.

(chorally to audience grouping)

I will never fire into a crowd

(personally to chosen audience member)

Because I have vowed not to kill you.

(chorally to audience grouping)

I will never bomb a city

(personally to chosen audience member)

Because I have vowed not to kill you.

The EXECUTIONERS are frozen ready to start execution etude.

ALL turn to look at EXECUTIONERS and CONDEMNED on following line.

VOICE 3 (directing attention to execution etude)

Every time the State kills

In the name of the people.

The EXECUTIONERS resume the execution etude with a slapping sound.

ALL look out to audience to speak their line and then look back to execution.

ALL Not in my name

VOICE 3 (directing attention to execution etude)

I will separate myself from that act.

VOICE 4a (directing attention to execution etude)

I am not part of that agreement.

VOICE 2a (directing attention to execution etude)

I contest the right of the State to kill.

ALL (personally to chosen audience member)

I break the cycle of violence

By promising you who stand here before me

That I will never kill you.

ALL embrace with spectators for a few moments.

Not In My Name – Page 16

Scene 13: WE ASK YOU TO JOIN US

VOICE 5 (Taking one step back from audience group

and directing attention to execution etude)

The vows we make now are only the beginning.

VOICE 3 (Taking one step back from audience group

and directing attention to execution etude)

There are over 3,000 people on Death Row.

VOICE 4b (Taking one step back from audience group

and directing attention to execution etude)

Those put to death are mostly the poor

and people of color.

VOICE 1 (Taking one step back from audience group

and directing attention to execution etude)

In New York the governor and legislature are bringing

back state killing. (or other local political development)

ALL (All moving to be one step away from audience)

Not in my name!

VOICE 3 (Taking a second step back from audience group

and directing attention to execution etude)

On (date of subsequent execution)

The State of (state)

Intends to kill (Condemned person)

In the State Penitentiary.

ALL Not in my name!

Not in my name!

Not in my name!

VOICE 2b (Taking a second step back from audience group

and directing attention to execution etude)

On (date)

at (time)

We will gather at (performance site)

To demonstrate our refusal to be complicit

In any act of vengeance -- ever.

VOICE 4a (Taking a second step back from audience group

and directing attention to execution etude)

We ask you to join us on (date)

And other nights executions are scheduled.

Not In My Name – Page 17

VOICE 5 (Taking a second step back from audience group

and directing attention to execution etude)

We ask you to add your voice

To our cry of protest --

ALL (All moving to be two steps away from audience)

NOT IN MY NAME!

VOICE 1 We ask you to join us

In ending the death penalty

This play will only end

When we end all executions.

Not In My Name – Page 18

Scene 14: THE STAY SONG

SONG LEADER Stay! Stay! Stay!

ALL (turning and reaching towards execution etude)

Stay the murdering hand.

(turning and appealing to audience members)

Is it mercy

Can stay the murdering hand?

Is it wisdom

Can Stay the murdering hand?

Is it humanity

Can stay the murdering hand?

(Beckoning audience members to join in taking action)

Stay! Stay! Stay!

Stay the murdering hand.

(Leading audience members, ALL move in slow reaching

strides to halt the executioners)

MEN } Stay!

WOMEN } Stop the cycle of killing!

ALL Two wrongs don't make a right.

MEN } Stay!

WOMEN } Stop the cycle of killing!

ALL An eye for an eye leaves everyone blind.

MEN } Stay!

WOMEN } Stop the cycle of killing!

ALL Is it all right to kill sometimes?

MEN } Stay!

WOMEN } Stop the cycle of killing!

ALL bring CONDEMNED down from box and turn outward to remaining audience

ALL Not in my name!

Not in my name!

Not in my name!

After concluding moment, ALL disperse and start dialogue with audience.

 



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